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Exemplar da primeira edição do livro 50 brasileiras incríveis para conhecer antes de crescer, escrito por Débora Thomé. \O livro reúne histórias de 50 brasileiras incríveis, verdadeiras heroínas com suas histórias transformadoras. A história de Zuzu Angel é contada com uma linguagem acessível e delicada descrevendo sua vida profissional e sua luta corajosa em busca de seu filho. A ilustração de Zuzu foi feita pela Julia Lima
Pink pantaloons with high waste, thin waistband, patterned fabric with flowers and fruit motif and threads in the following colors: lilac, orange, green, light pink and white. Closure of pink polyester zipper with 0,18 cm. The hemline finish is overlock stitching and the hem sew was hand made. The piece has a brand tag on the waistband. The pants have a 0,70 cm circumference at the waist and the hems are 0,28 cm wide.
Navy blue short sleeve cotton shirt with a round collar with a localized angel pattern with a ribbon with Zuzu written in light grey. The top part of the shirt has the writing “Once zuzu, always Zuzu”, between the sayings of the central part, there is an angel halo. The sleeves are 0,19 cm long and 0,11 cm wide.
White nightgown with floral pattern, with the figure of a pink angel, with blue wings and yellow halo, surrounded by clouds in two tones of blue (light and dark). The piece has a white loop on the waist. The buttoning is made up of 5 plastic buttons lined with the same fabric of the front part of the piece.
Copy of a letter written by Zuzu Angel to the Director of the newspaper Estado de Minas, Mr. Januário Carneiro, about an offensive comment published by a newspaper columnist about his work. In Carta Zuzu she describes the importance of her professional trajectory, her achievements and originality and international achievements, and asks the newspaper to retract and ask for respect for her and the Brazilian workforce.
Fotografia de Zuzu Angel ajustando manga do vestido de protesto no Desfile em casa do Consul Brasileiro,Lauro Soutello Alves, no lançamento da coleção International Dateline Collection III – Holiday and Resort.na residência do cônsul do Brasil em Nova York e torna público o caso de Stuart em um desfile-perfomance, com alusões ao momento político brasileiro.A partir deste evento Zuzu começa a começa a vestir luto.
Photograph of model Heloisa Aleixo Lustosa, wearing a dress from the International Dateline Collection III - Holyday and resort collection. Photograph taken in August 1972. On the back of the photo stamp : Designed Zuzu Angel Rio de Janeiro pen description : Heloisa Aleixo Lustosa International Dateline Collecion III Fto in August 1972 - He 3-6 - Return to Hilde
Black and white photograph of a model sitting in a white wicker chair wearing a long flower-print dress from the Zuzu Angel collection at her boutique in Leblon Rio de Janeiro. On the back of the photograph: Stamp Designed by Zuzu Angel, and pencil description: Princes, 1974 Zuzu's boutique - Leblon Rio de Janeiro.
Article published in the newspaper A Folha de São Paulo, section: Ilustrada Illustríssima with two central pages, with the titles on the front page: "Files of Zuzu Angel" and in the two central ones with the title: "O Anjo de Luta". article written by journalist: Pedro Diniz, photos: Instituto Zuzu Angel collection and reproduction by Ricardo Borges
Sequence of four photographs from Zuzu Angel's Fashion and Freedom collection in the Golden Room at Copacabana Palace on August 4, 1967. Photo 1: Zuzu Angel and Dona Yolanda Costa e Silva holding hands and Mariazinha Guinle standing. Photo 2: Zuzu Angel and Dona Yolanda Costa e Silva starting a kiss on the cheek and Mariazinha Guinle standing. Photo 3: Zuzu Angel and Dona Yolanda Costa e Silva shaking hands with a kiss on the cheek and Mariazinha Guinle standing. Photo 4: Zuzu Angel and Dona Yolanda Costa e Silva finishing with a kiss on the cheek and Mariazinha Guinle standing.
Purse entirely made in matelassé and straps in the same fabric. Pattern with a blue background and angels in red, orange, purple and green. The straps are 0, 13 cm tall and 0, 34 long and have the Zuzu tag sewn to them. The purse has a padded lining which is machine sewn with blue thread and has the same design as the pattern. The purse’s inner fabric has the same pattern as the outside, but in pink.
Long, short sleeve dress, made in linen with northeastern lace and ruffles. Has a lace trimming at the front of the dress, and on the back (all the way down to the waist), with details in embroidery. The sleeves are made of lace and the collar is round. The closing of the piece is located at the back, with brackets and a 0, 59 cm white polyester zipper. The lace on the back covers the zipper, the same being fastened to the right side of the piece through 4 transparent plastic snap buttons.
White wedding dress, made of embroidered voile with cutout leaves in blue, green, red, yellow, orange, purple and pink. Made from towels and table cloths. Long sleeved, tightened at the waist in a white faille, except for the sleeves. There are two peaks at the bust. Collar, wrists and lining hem are finished with a beige “guipir” lace. The wrists are frowned. Closing at the back with a white zipper and, above it, a bracket on one side and a thread strap on the other. The organza is 1, 30 cm tall and the lining is 1, 33 cm. The width of the armhole is 0, 43 cm, and the circumference of the organza hem is 1, 38 cm, while the lining’s hem is 1, 24 cm.
Long white linen dress, with long sleeves frowned at the wrist with elastic, with a lining made of the same fabric. There are several colored embroideries, as symbols for the country’s dictatorship. They are distributed at the front, back and the sleeves, with cannon, sun, bars, angels, flowers and military caps motifs. Has a 0, 45 cm zipper closing at the back.
Cotton dress, with a patterned print, with an orange background with a “June fest country party” theme. The bust has a vertical pence and the dress is fitted at the waist, with a loop made out of thread and a belt in the same pattern, with a metal latch. There is an orange lining attached to the seam of the waist. The closing of the piece is located at the back with a bracket and a 0, 54 cm orange polyester zipper. According to Hildegard Angel, the piece has a very elaborate mold: the collars are wide; the body ends in beaks that start the skirt. The skewed cut flows the Madame Vionnet line.
Werner chiffon dress, with an edged skirt, with a patterned print in: black, orange, white and beige. Has a V neck cleavage on the front and back and half sleeves with a peak at the height of the elbows. There is a peak at the front in a V cut. The dress has two different types of linings, both in black: the skirt is made of chiffon crepe and the top part in pure silk. Closing at the back with a bracket and a black polyester zipper. Inside the piece, at the height of the shoulders, there is a metal snap button with on part stuck to the piece and the other to a strap sewn to the piece.
Long dress made of silk devoré, with make up a polka dot motif, half sleeves, a frown made with elastic at the wrists and a V cleavage. Has ruffles on the cleavage and hem. The front closing has 4 buttons lined with the same fabric. Has two internal shoulder pads. The black lining is sewn at the waist.
Long dress made of a patchwork of varied laces in beige tones, silk fringe with small jacaranda balls on the front collar and back. A-lined skirt, half sleeves, waistline at the waist and lace ruffle on the hem. Has a beige fabric lining from the waist down. Closing at the back with a bracket and a 0, 55 cm polyester zipper.
Long sleeveless dress, in dark red cotton armure, with an angel embroidered in sequins, beads and tubes. It’s particularity is quite elaborate, with cutouts on the sides, on the bottom part, made up by a godet skirt. There is no lining on the piece, the sequin embroidery is visible on the inside. The closing on the back has brackets and a 0, 56 cm polyester zipper. The belt’s width is 0, 36 cm.
Long dress, with a A-line cut, made in green silk Celanese lurex weave, which was originally silver and green, hemmed with an embroidery made by Ethel Moura Costa, in plastic material, which was trending during the 1960s. Has a yellow lining with a green silk hem with a gold Celanese lurex weave. There is a central cutout and two peaks. Closing on the back with brackets and a 0, 61 cm zipper. Inside the piece, at the height of the shoulders, there is a metal snap button with on part stuck to the piece and another to a strap sewn to the piece.
"Do you want your own Zuzu Angel collection?
Create it here, from pieces of the collection of the stylist you like."
Peças como referencia para produção de trabalho universitário contextualizado nos anos 60/70.
