Sketch of long sleeved wedding dress, with embroidered flowers on the edge of the collar and on the wrist. The sketch has Zuzu Angel’s signature.

Sketch of wedding dress with four buttons over the bust and veil with flowers.

Sketch of the back of long wedding dress with long sleeves and short veil; pleated skirt, has a wide belt. “Zuzu Angel” signature on the top right part, signature by Gisela Porto “Gis” on the bottom left corner.

Sketch of long wedding dress with long sleeves with motifs and short veil (front), trapeze cut with a frontal opening, round collar and a wide belt with a round buckle. Has the signature “Zuzu” on the top right corner.

Sketch of long wedding dress with a bow on the back. Has the inscription “Gis” on the bottom left area of the support, possibly as a reference to illustrator Gisela Porto.

Model photograph wearing Zuzu wedding dresses, paraded in Leblon's own store. The model in the photo is Helô Amado, a client. Zuzu's clients also used to model for her. Photo Eduardo Clark (Son of artist Lygia Clark)

Photography Hildegard Angel in a wedding dress from the Fashion and Freedom collection at the 2nd Fashion Salon in the São Cristovão Pavilion.

Fotografia de Hildegard Angel com vestido de noiva em cetim branco, cordão de pérolas na mão e arranjo com boá na cabeça. Vestido pertence a coleção Fashion and Freedom.

Photograph of the wedding of Sophie and Stuart, brother of Zuzu Angel’s former husband (Norman Jones), posing for pictures besides an armchair, holding a flower bouquet.

Posed photograph of Zuzu Angel, with a wedding dress embroidered with flowers, sitting on a tree stump.

Cutout of page 4 from Bride’s Magazine with advert informing where to find the wedding dress designed by Zuzu Angel (same illustration was used by Mademoiselle Magazine in a smaller size). Also has a different cutout from Vogue Magazine with a smaller illustration of a different Zuzu Angel wedding design standing next to renowned names in fashion, such as Valentino, on the “What’s Next” column. The publication cutout of Mademoiselle Magazine is incomplete.

Photographic record of photo shoot of Ana Cristina and Hildegard Angel dresses as brides for the Fashion and Freedom collection.

Long, short sleeve dress, made in linen with northeastern lace and ruffles. Has a lace trimming at the front of the dress, and on the back (all the way down to the waist), with details in embroidery. The sleeves are made of lace and the collar is round. The closing of the piece is located at the back, with brackets and a 0, 59 cm white polyester zipper. The lace on the back covers the zipper, the same being fastened to the right side of the piece through 4 transparent plastic snap buttons.

White wedding dress, made of embroidered voile with cutout leaves in blue, green, red, yellow, orange, purple and pink. Made from towels and table cloths. Long sleeved, tightened at the waist in a white faille, except for the sleeves. There are two peaks at the bust. Collar, wrists and lining hem are finished with a beige “guipir” lace. The wrists are frowned. Closing at the back with a white zipper and, above it, a bracket on one side and a thread strap on the other. The organza is 1, 30 cm tall and the lining is 1, 33 cm. The width of the armhole is 0, 43 cm, and the circumference of the organza hem is 1, 38 cm, while the lining’s hem is 1, 24 cm.