Organza ribbon with print in pink, red, purple and white. Machine finishing with red thread, the piece has two patches made on the same seam.

Program for Zuzu Angel’s fashion show and her Fashion and Freedom collection, with a list of models, sponsors and professionals involved in the fashion show held on 04/08/1967, at the Copacabana Palace Hotel’s Golden Room.

Photographic record of visit by First-Lady Yolanda Costa e Silva (wife to Brazilian President, Arthur Costa e Silva), accompanied by Zuzu Angel to the Werner Fabric Factory. The image shows Ms Yolanda handling a roll of fabric. The back of the photograph contains a description of the image.

Photographic record of visit by Ms.Yolanda Costa e Silva and Zuzu Angel to the Werner fabric factory, in Petrópolis, on January 1968, standing in front of a rack of fabrics, with Ludivico Remx [?] (a possible factory employee on the background. Ms Yolanda Costa e Silva is holding a lit cigarette on her left hand while touching fabrics with her right hand. Has a pencil inscription on the back of the photograph with a list of names related to the photographic record.

Photographic record of visit by First-Lady Yolanda Costa e Silva and Zuzu Angel to the Werner fabric factory, in Petrópolis, on January 1968, standing in front of a table with a rolled out fabric, with Ludivico Remx [?] (a possible a factory employee) on the background. Has an inscription on the back of the photograph with information about the photographic record, a dedication to Edinéia [?] signed by Zuzu Angel and the number 64 in pencil.

Photographic record of visit by Ms Yolanda Costa e Silva and Zuzu Angel to the Werner Fabric Factory in Petrópolis on January, 1968. Four other people can be seen on the photo.

Panoramic photograph of the International Dateline Collection fashion show in the salons of the Bergdorf Goodman store in the background, an audience of fashion editors, journalists and entrepreneurs.

Photograph of a model wearing a long floral silk Werner dress and a fringe belt posing for an essay for Manchete magazine, created by Zuzu Angel from the International Dateline Collection.