Exemplar da primeira edição do livro 50 brasileiras incríveis para conhecer antes de crescer, escrito por Débora Thomé. \O livro reúne histórias de 50 brasileiras incríveis, verdadeiras heroínas com suas histórias transformadoras. A história de Zuzu Angel é contada com uma linguagem acessível e delicada descrevendo sua vida profissional e sua luta corajosa em busca de seu filho. A ilustração de Zuzu foi feita pela Julia Lima

Fotografia posada de Zuzu Angel sorrindo usando vestido da marca Zuzu Angel estampada com flores e colar de pérolas . Registro fotográfico realizado pelo fotografo David Drew Zingg com copyright by PLUG

Pink pantaloons with high waste, thin waistband, patterned fabric with flowers and fruit motif and threads in the following colors: lilac, orange, green, light pink and white. Closure of pink polyester zipper with 0,18 cm. The hemline finish is overlock stitching and the hem sew was hand made. The piece has a brand tag on the waistband. The pants have a 0,70 cm circumference at the waist and the hems are 0,28 cm wide.

Navy blue short sleeve cotton shirt with a round collar with a localized angel pattern with a ribbon with Zuzu written in light grey. The top part of the shirt has the writing “Once zuzu, always Zuzu”, between the sayings of the central part, there is an angel halo. The sleeves are 0,19 cm long and 0,11 cm wide.

White nightgown with floral pattern, with the figure of a pink angel, with blue wings and yellow halo, surrounded by clouds in two tones of blue (light and dark). The piece has a white loop on the waist. The buttoning is made up of 5 plastic buttons lined with the same fabric of the front part of the piece.

Zuleika Angel Jones - poses with her teenage children, Hildegard Beatriz (9), Ana Cristina (10) and Stuart Edgar (13) at the Foto York studio, who signs the graphite photograph at the bottom left.

Photograph of Zuzu Angel beside her daughter Hildegard Angel, with both wearing matching dresses from the International Dateline Collection VI with a banana pattern.

Photograph of Zuzu Angel doing last minute adjustments on an item of clothing with model.

Photographic record of Zuzu Angel wearing a dress [?] with a flower motif, framed from the chest up, with her right hand partially closed, just below her chin.

Posed photograph of Zuzu Angel, with a wedding dress embroidered with flowers, sitting on a tree stump.

Posed photograph of Zuzu Angel Z standing up, with her left hand on her back, wearing a dress with a floral motif, beside a Sansevieira plant.

Posed photograph of Zuzu Angel, with a long dress, facing right, with both hands resting on a wooden deck. The record was possibly taken in 1973.

Zuzu Angel in his atelier and residence at Rua Nascimento Silva, Ipanema Photographic record has a stamp "PHOTOS OF; PAULO ANDRÉ" on the back of the photograph.

Photographic record of Zuzu Angel at the International Dateline Collection I fashion show, held at the Miss Bergdorf Goodman store.

Purse entirely made in matelassé and straps in the same fabric. Pattern with a blue background and angels in red, orange, purple and green. The straps are 0, 13 cm tall and 0, 34 long and have the Zuzu tag sewn to them. The purse has a padded lining which is machine sewn with blue thread and has the same design as the pattern. The purse’s inner fabric has the same pattern as the outside, but in pink.

Fotografia posada de Zuzu Angel sorrindo em deck de madeira com jardim e árvores ao fundo. Neste ensaio Zuzu Angel veste blusa de manga comprida e bufante e bordado do anjo na altura do peito.Veste saia comprida quadriculada . Peças fazem parte da International Datelline Collection.

Fotografia posada de Zuzu Angel com braço encostado em armário tendo ao fundo imagem sacras e e estátua de galinha de barro. Na parede ao alto três desenhos de cabeças de modelos com turbantes.

Long, short sleeve dress, made in linen with northeastern lace and ruffles. Has a lace trimming at the front of the dress, and on the back (all the way down to the waist), with details in embroidery. The sleeves are made of lace and the collar is round. The closing of the piece is located at the back, with brackets and a 0, 59 cm white polyester zipper. The lace on the back covers the zipper, the same being fastened to the right side of the piece through 4 transparent plastic snap buttons.

White wedding dress, made of embroidered voile with cutout leaves in blue, green, red, yellow, orange, purple and pink. Made from towels and table cloths. Long sleeved, tightened at the waist in a white faille, except for the sleeves. There are two peaks at the bust. Collar, wrists and lining hem are finished with a beige “guipir” lace. The wrists are frowned. Closing at the back with a white zipper and, above it, a bracket on one side and a thread strap on the other. The organza is 1, 30 cm tall and the lining is 1, 33 cm. The width of the armhole is 0, 43 cm, and the circumference of the organza hem is 1, 38 cm, while the lining’s hem is 1, 24 cm.

Long white linen dress, with long sleeves frowned at the wrist with elastic, with a lining made of the same fabric. There are several colored embroideries, as symbols for the country’s dictatorship. They are distributed at the front, back and the sleeves, with cannon, sun, bars, angels, flowers and military caps motifs. Has a 0, 45 cm zipper closing at the back.

Cotton dress, with a patterned print, with an orange background with a “June fest country party” theme. The bust has a vertical pence and the dress is fitted at the waist, with a loop made out of thread and a belt in the same pattern, with a metal latch. There is an orange lining attached to the seam of the waist. The closing of the piece is located at the back with a bracket and a 0, 54 cm orange polyester zipper. According to Hildegard Angel, the piece has a very elaborate mold: the collars are wide; the body ends in beaks that start the skirt. The skewed cut flows the Madame Vionnet line.

Werner chiffon dress, with an edged skirt, with a patterned print in: black, orange, white and beige. Has a V neck cleavage on the front and back and half sleeves with a peak at the height of the elbows. There is a peak at the front in a V cut. The dress has two different types of linings, both in black: the skirt is made of chiffon crepe and the top part in pure silk. Closing at the back with a bracket and a black polyester zipper. Inside the piece, at the height of the shoulders, there is a metal snap button with on part stuck to the piece and the other to a strap sewn to the piece.

Long dress made of silk devoré, with make up a polka dot motif, half sleeves, a frown made with elastic at the wrists and a V cleavage. Has ruffles on the cleavage and hem. The front closing has 4 buttons lined with the same fabric. Has two internal shoulder pads. The black lining is sewn at the waist.

Long dress made of a patchwork of varied laces in beige tones, silk fringe with small jacaranda balls on the front collar and back. A-lined skirt, half sleeves, waistline at the waist and lace ruffle on the hem. Has a beige fabric lining from the waist down. Closing at the back with a bracket and a 0, 55 cm polyester zipper.

Long sleeveless dress, in dark red cotton armure, with an angel embroidered in sequins, beads and tubes. It’s particularity is quite elaborate, with cutouts on the sides, on the bottom part, made up by a godet skirt. There is no lining on the piece, the sequin embroidery is visible on the inside. The closing on the back has brackets and a 0, 56 cm polyester zipper. The belt’s width is 0, 36 cm.

Long dress, with a A-line cut, made in green silk Celanese lurex weave, which was originally silver and green, hemmed with an embroidery made by Ethel Moura Costa, in plastic material, which was trending during the 1960s. Has a yellow lining with a green silk hem with a gold Celanese lurex weave. There is a central cutout and two peaks. Closing on the back with brackets and a 0, 61 cm zipper. Inside the piece, at the height of the shoulders, there is a metal snap button with on part stuck to the piece and another to a strap sewn to the piece.